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The Antigonish Review

Antigonish Review # 151

Daryl Sneath

Poetry

 

Cover, Antigonish Review, Issue # 151
digital illustration by
Karen Hibbard

1st Prize in the
Great Blue Heron Poetry Contest:

Less sons:
a suite of poems

splitting

Work the plane   he taught me   across the length
like the mower across the land

Keep a constant line, a rhythm
like the placement of tied flies on water

Stay the grain & the depth, run the blade
like steel wheels in the shallow valley of the rails

Hone the wood: make it splitless

These are not his words but a version remembered
& this, awkward in his place, is me in my middle years

old, as he was then to me, to the next generation
in the eyes of the boy I see him in beside me

The instrument strumphs across the wood
slicks the length of the handle taking shape

Slick. Slick. The music of thinning

& I wonder about the word 'plane'
see the wood-curls slipping through the slit

as wings, as tokens for the would-be train ride home
across the prairies of my youth, as wooden down

collected by my son, handfuls
to be stuffed in a sack, to be slept upon

Imagine a mattress of wood

We slide the axe head on the new handle, wedge it there
snug     The tool is heavy in his hands, so heavy

The air is frozen, the wood winter hard
the kind of cold that makes splitting clean, quick

Aim for the centre   I tell him   Hold tight
Line the blade with the grain

He looks up at me: the eyes of the boy
the man becoming


Re: moving

Just like typing   he tells me
except there's sound instead of words

keys without the letters on

The spaces spell 'face'
the lines, 'Every good boy deserves ---'

A father, me, awkward in my middle years, slumped
on a bench beside the boy I'll rarely see anymore

Like my own, his childhood in moments remembered:
scenes scribbled down, notes collected, a verse

The tutor, he takes my finger like a tool in his fist
galumphs it across the keys, looks at me

The instrument is wooden in my hands, musicless
the last of the heavy things to go

The movers need room she tells me, his mother
Stand clear     an echo of my father's instruction

when a tree was about to fall    Timbre I say
& the pun is lost, missed, unwritten on the air

She does not even look, wants a quick clean split,
aims for it

Awkward, unable to see, really, I carry the boxspring,
make my way through by feel, remember the sleepless

perfection of our not so long ago love

wedged into the disappearing space of a stuffed in
packed up home & I almost can't feel the sliver

going in, the fleck of wood in my finger I point to
with the opened blade of my father's pocketknife
the going away keep your chin up see you soon gift
he gave me years ago at the time of our own departing

I show my son, the way I was shown, how to flick away
the top layer, the dead part, without drawing blood

how to pinch the sliver out, the tiny aching tunnel left behind
the feeling like something has always been there & should still be

losing

Cross the river   someone murmurs   & I can't tell who or why
awkward in my suit, muted by the plain wooden box he lies in

Directions away from here, perhaps, from someone I don't recognize
who knows me, says I look thin, slick, which means 'from the city' here

The warning I heard as a boy with Don't at the front, alone at the end

The place he lived   where I used to   where he lost his footing on the rocks
in the rolling river water he knew & stood within his whole life, tying a fly
I imagine, eying a hole, thinking of the silver flashing life below the surface
the weight, the anticipation, so sure, so skilled, the lesson of loss never had
& the instrument of catching, musical in his hands

I help carry him, the strange steel handle like a rail, think of releasing
all the things he's no longer bearing: heavier than I expected

It's been so long

The train cuts across the land, moves with it: home
Someone hums & there's a song I wish I could remember

Through the window I relearn the prairies, lose them again
They seem so much softer now    everything does    even the ache


 

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